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Colour Beyond the Surface: Art in Architecture

Author/EditorMcLachlan, Fiona (Author)
ISBN: 9781848225701
Pub Date08/09/2022
BindingHardback
Pages192
Dimensions (mm)250(h) * 190(w)
¥9,370
excluding shipping
Availability: 1 In Stock
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The book discusses the role of art in architecture with a particular focus
on colour and the dynamic relationships between light, form, material surface, space and movement. Drawing on historical examples to establish recurring themes, it examines the work of artists (including Tess Jaray, Mark Titchner, Toby Paterson, Sinta Tantra, Jason Bruges and Morag Myerscough) and architects whose use of colour is informed by artistic practice (such as Bolles + Wilson). It explores successful collaborations where a symbiotic relationship between art and architecture is firmly established, such as between Antoni Malinowski and Haworth Tompkins; Bruce McLean and Will Alsop; Eric Parry with Richard Deacon; Herzog & de Meuron with Michael Craig-Martin; Grayson Perry with FAT Architecture/Charles Holland: A House for Essex.

Engagingly written and beautifully illustrated, it is divided into three main sections: the first focusing on architecture, the second on the artworks and the final section on collaboration. Throughout, it bridges time, insightfully comparing historic artworks and spaces with contemporary ones, addressing key questions such as 'if an artwork is self-sufficient, how is this accommodated within an architectural setting without compromising both?' and setting out examples of what does
and doesn't work.

The book discusses the role of art in architecture with a particular focus
on colour and the dynamic relationships between light, form, material surface, space and movement. Drawing on historical examples to establish recurring themes, it examines the work of artists (including Tess Jaray, Mark Titchner, Toby Paterson, Sinta Tantra, Jason Bruges and Morag Myerscough) and architects whose use of colour is informed by artistic practice (such as Bolles + Wilson). It explores successful collaborations where a symbiotic relationship between art and architecture is firmly established, such as between Antoni Malinowski and Haworth Tompkins; Bruce McLean and Will Alsop; Eric Parry with Richard Deacon; Herzog & de Meuron with Michael Craig-Martin; Grayson Perry with FAT Architecture/Charles Holland: A House for Essex.

Engagingly written and beautifully illustrated, it is divided into three main sections: the first focusing on architecture, the second on the artworks and the final section on collaboration. Throughout, it bridges time, insightfully comparing historic artworks and spaces with contemporary ones, addressing key questions such as 'if an artwork is self-sufficient, how is this accommodated within an architectural setting without compromising both?' and setting out examples of what does
and doesn't work.

Fiona McLachlan is an architect and Professor of Architectural Practice at the University of Edinburgh, Edinburgh School of Architecture and Landscape - Architecture (ESALA).

1. Introduction. Section 1: The Architecture. 2. Surface Tensions; 3. Architects as Spatial Painters. Section 2: The Artwork. 4. Pictorial Space 5. Ethereal Material: Colour, Light and Material Surface. 6. The Artists' Perspective. 7. Collaborative Practices. 8. Constructing the inseparable: A House for Essex. 9. Reflections on Art in Architecture. Notes. Bibliography

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