Repeat Printed Pattern for Interiors

Kate Farley is Associate Professor in Design at Norwich University of the Arts, UK, where she leads the undergraduate courses of Fashion and Textile Design. She is a Senior Fellow of the Higher Education Academy, recognizing the sustained impact she has made on Teaching and Learning at undergraduate level. With more than 25 years of design experience Kate's practice focuses on bespoke printed pattern and site-specific projects that tell stories.

About the Author Introduction 1. Patterns in History Baroque Bold Neoclassical formality Trading with pattern (Chintz & Paisley) Arts and Crafts and the Aesthetic agenda 1860s-1890s Art Nouveau and the Decorative style 1890-1930s ARTISAN APPROACH 1900 - 1930s Modern mode 1920s-1940s Post-war 1945-1960s Upbeat Escapism and Calm retreats late 1960s-1980s Post-modern magic and digital design 1980-2020 2. The Basics - making patterns Introduction Pattern language and process Choosing the look, making motifs Repeat and rhythm Colour in design Digital design: an introduction Printing: traditionally or digitally? Application and context 3. Design Process: Interviews Emma J. Shipley Angie Lewin Orla Kiely OBE Sarah Campbell Neisha Crosland Timorous Beasties Galbraith and Paul Deborah Bowness Eley Kishimoto Conclusion