Daniel Talesnik is a curator at the Architekturmuseum of the Technische Universitat Mu nchen (TU Munich), where in 2019 he curated Access for All: Sao Paulo's Architectural Infrastructures, which was later shown in 2020 at the Center for Architecture in New York City and in 2021 at the Schweizerisches Architekturmuseum (S AM) in Basel. He is an architect who studied at the Pontificia Universidad Catolica de Chile (2006) and earned a PhD from Columbia University (2016) with the dissertation "The Itinerant Red Bauhaus, or the Third Emigration." He teaches at the TU Munich and has also taught at the Pontificia Universidad Catolica of Chile, Columbia University, and the Illinois Institute of Technology. Andres Lepik is the director of the Architekturmuseum at the Technische Universitat Mu nchen (TU Munich) and a professor of history of architecture and curatorial practice at the TU Munich. He studied art history, graduating with a PhD on Architectural Models in the Renaissance. From 1994 he worked as a curator at the Neue Nationalgalerie, Berlin, where he presented the exhibitions Renzo Piano (2000) and Content: Rem Koolhaas and AMO/OMA (2003). From 2007 to 2011 he was a curator in the Architecture and Design Department at The Museum of Modern Art, New York, presenting the exhibition Small Scale, Big Change: New Architectures of Social Engagement (2010). In 2011-12, Lepik was a Loeb Fellow at the Graduate School of Design at Harvard University. Leilani Farha is the former UN Special Rapporteur on the Right to Housing and the Global Director of The Shift. Her work is animated by the principle that housing is a social good, not a commodity. Leilani has helped develop global human rights standards on the right to housing, including through her topical reports on homelessness, the financialization of housing, informal settlements, rights-based housing strategies, and the first UN Guidelines for the implementation of the right to housing. She is the central character in the documentary PUSH regarding the financialization of housing, which has been screening around the world. Leilani launched The Shift in 2017 with the UN Office of the High Commissioner for Human Rights and the organization United Cities and Local Government. Binyamin Appelbaum is the lead writer on business and economics for the editorial board of The New York Times. Before joining the board in 2019, he was a longtime economic policy correspondent for the Times, based in Washington, DC. He writes regularly about housing issues, including the critical shortage of affordable housing in the United States and the growing number of Americans who are experiencing homelessness as a consequence. He is the author of The Economists' Hour: False Prophets, Free Markets, and the Fracture of Society, published in German translation in 2020 by S. Fischer Verlage as Die Stunde der OEkonomen. Juliane Bischoff works as a curator at the NS Dokumentationzentrum Munchen at the interface between exhibition and digital mediation. Together with Nicolaus Schafhausen and Mirjam Zadoff, she co-curated the exhibition Tell me about yesterday tomorrow (2019-20). From 2016 to 2019, she worked at Kunsthalle Wien, where she curated, among others, the exhibition Kate Newby: I can't nail the days down (2018) and also co-curated and organized group exhibitions and discursive programs. Previously, she has worked at institutions like Kunsthalle Basel (2012) and Ludlow 38 at Goethe-Institut New York (2015). She is the editor of the publications Kate Newby: I can't nail the days down (Sternberg Press, 2019) and Ineke Hans: Was ist Loos? (Sternberg Press, 2017) and is a regular contributor to publications in the fields of art, culture, and society. Joao Bittar Fiammenghi is an architect and urban planner based in Sao Paulo with a degree from the Faculdade de Arquitetura e Urbanismo da Universidade de Sao Paulo (F
